Haiku 2022-12-22-17:29-17:42
1
lassemaja
inte haja klyk
inte heller hans byk
2
inte heller hans byk
såväl som lassemajs tyk
går att motstå
3
går att motså
all världens frestelser
för sista hajen
4
för sista hajen
som ätit sista fisken
fattar fortf ingenting
5
fattar fortf ingenting
öl som vatten
är öl vatten?
6
är öl vatten?
frågade fyllot
drack 20:e glaset
7
drack 20:e glaset
däckade vintertid
alltför sent
8
alltför sent
drack upp alla haven
inte mätt
9
inte mätt
kan ja få din skvätt?
lätt som en plätt
10
lätt som en plätt
om den va gjord av blod
och inte eter
11
och inte eter
sätter stopp
för lilla lasse
12
för lilla lasse
är världen en lek
och han spelar cowboy
13
och han spelar cowboy
men resten är nordbor
slutat skratta
14
slutat skratta
för längesen
bortglömd
15
bortglömd
vanhelgad
har kvar låtsasvän
16
har kvar låtsasvän
satan i egen hög person
bara då han vågar skrika
17
bara då han vågar skrika
för han vet att
alla sluta lyssna
18
alla sluta lyssna
kan du inte ha
ett vitt år
19
ett vitt år
snö på midsommar
mot alla odds
Källa / Läs mer[redigera]
från japanska wikipedia (google translate) om haiku:
"Prosody
The five-seven-five rhythm is an important element of haiku . [6] When the five part is six or more syllables, or the seven part is eight or more syllables, it is called "jiyori . " [6]
for example
Basho : It's night, I hear the rain in the washbasin
The format is 8-7-5, with the first 5 characters being 8 characters longer. There are also works that do not fit into the 5-7-5 format, such as those that are short on characters or that span multiple lines .
On the other hand, there is free-form haiku , in which each verse is the same , and there are those who argue that haiku is not a fixed-form poem . [6]"
ja-m-wikipedia-org.translate.goog/wiki/俳句?_x_tr_sl=auto&_x_tr_tl=en&_x_tr_hl=sv&_x_tr_pto=wapp
.
The guiding principle for thinking about the limits of extra characters is the two-tone, one-beat, four-beat theory proposed by Doi Mitsutomo (1922 ) and established by Bekku (1970) . [12] [13] This theory regards one tone as an eighth note, and maintains the four-beat rhythm of 8-8-8-8-8-8 by adding 3-1-3-1-1 rests to the 5-7-5-7-7 mora of tanka .
If we follow this principle, the limit for haiku is 24 syllables, and for tanka it is 40, which far exceed the prescribed number of 17 and 31 syllables.
ja-m-wikipedia-org.translate.goog/wiki/字余り?_x_tr_sl=auto&_x_tr_tl=en&_x_tr_hl=sv&_x_tr_pto=wapp
.
Also, in March 2006 , Nao Hashimoto gave a keynote speech at the Modern Haiku Association Youth Division Study Group entitled "The Present of Seasonal Words: The Transition and Creation of Their True Meanings, and Their Future," in which he raised the issue that "the original role of seasonal words and seasonal themes is to bring out diachronic / synchronic poetic functions, not to restrict freedom like a yoke." In this way, haiku poets who have turned their attention to non-seasonal and free ryutemitsu (free verse) have generally considered the role of seasonal words more deeply than those who have turned their attention to seasonal fixed forms.
.
In non-Japanese haiku, there is an opinion that 17 syllables is too many words, and there is a movement to try to compose haiku with fewer syllables in order to pursue conciseness.
av Etletlien (ris och ros)
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